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Disciplina asociada:Medios audiovisuales |
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Escuela:
Por definir
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Departamento Académico:
Por definir
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Programas académicos: |
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Requisitos:(Haber Aprobado H 00821) |
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Equivalencia:CO00843 ; AV1002 ; CO95841 |
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Intención del curso en el contexto general del plan de estudios: |
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Formar personas que a través del conocimiento y de la profundización en las bases teóricas del lenguaje audiovisual sean capaces de elaborar mensajes audiovisuales coherentes y con unidad discursivo-narrativa. |
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Objetivo general de la Unidad de Formación: |
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| El alumno conocerá el desarrollo histórico, los elementos formales, las técnicas y las herramientas de producción de sentido del lenguaje cinematográfico para comprenderlo como base estructural del discurso audiovisual aplicable a cualquier medio. | |||||
Técnica didáctica sugerida: |
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| No especificado | |||||
Bibliografía sugerida: |
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LIBROS DE TEXTO: * Bordwell, David., El arte cinematográfico / David Bordwell, Kristin Thompson ; traducción édgar Rubén Cosío Martínez., 1a ed. en espan~ol., México, D.F. : McGraw Hill, c2003., spaeng, 9701037863, 9789701037867 * Giannetti, Louis D., Understanding movies / Louis Giannetti., 11th ed., Upper Saddle River, N.J. ; México : Pearson Education, c2008., , 0132336995, 9780132336994 * Martin, Marcel., El Lenguaje del Cine., Editorial Gedisa, 1990, * Mitry, Jean., Estética y Psicología del Cine 1. Las estructuras., Siglo XXI Editores, 1986, * Monaco, James., How to Read a Film., Oxford University Press, 1981, * Bordwell, David, El arte cinematográfico, Editorial Paidós, 1995, LIBROS DE CONSULTA: * Field, Syd., El Libro del Guión., Plot Ediciones, 1995, * Malkiewciz, Kris., Film Lighting., Fireside,, 1992, * Lester, Paul Martin., Visual Communication, Images with Messages., Wadsworth Publishing, 1995, * Nelmes, Jill., An Introduction to Film Studies., Routledge, 1996, * Musser, Charles., Before the Nickelodeon., University of California Press, 1991, * Malkiewicz, Kris., Cinematography., Fireside,, 1992, * Ohanian, Thomas A., Digital Non-Linear, Editing. Focal Press., * Rabiger, Michael., Directing Film Techniques & Aesthetics., Focal Press., * Armer, Alan A., Directing Television and Film., Wadsworth Publishing Co.,, 1990, * Dmyryk, Edward., El Cine, Concepto y Práctica., Editorial Limusa, 1995, * Barnouw, Erik., El documental., Editorial Gedisa, 1996, * Sánchez, Rafael C., El Montaje Cinematográfico: Arte de Movimiento., Editorial Pomaire, 1970, * Gross, Lynne S., Electronic Moviemaking., Wadsworth Publishing Co.,, 1994, * Mitry, Jean., Estética y Psicología del Cine 2. Las formas., Siglo XXI Editores, 1986, * Metz, Christian., Film Language. A Semiotics of the Cinema., The University of Chicago Press, 1974, * Singleton, Ralph S., Film Scheduling., Lone Eagle Publishing CO.,, 1984, * Cheshire, David., Manual de Cinematografía. H., Blume Ediciones, 1981, * Dmytryk, Edward., On Film Editing., Focal Press, 1984, * Easty, Edward., On Method Acting., The House of Collectibles, Inc.,, 1981, * Rea, Peter W. & Irving, David K., Producing and Directing the Short Film and Video., Focal Press, 1995, * Vale, Eugene., Técnicas del Guión para Cine y Televisión., Editorial Gedisa,, 1986, * Kracuer, Siegfried., Teoría del Cine., Paidós,, 1960, * Bare, Richard L., The Film Director., Collier Books, 1973, * Hollyn, Norman., The Film Editing Room Handbook., Lone Eagle Publishing Co., * Millerson, Gerarld., The Technique of Lighting for Television and Motion Pictures., Focal Press, 1982, * Giannetti, Louis D., Understanding Movies., Prentice Hall, 1993, * Browne, Steven E., Videotape Editing: a postproduction primer., Focal Press, 1993, * Walker, John A., Visual Culture: an introduction., Manchester University Press, 1997, * J. Dudley, Andrew, The Major Film Theories, Oxford University Press, 1976, |
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Perfil del Profesor: |
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(500702)Maestría en Bellas Artes ; (500702)Doctorado en Bellas Artes ; (500699)Maestría en Cine/Video o Artes Fotográficas ; (090101)Maestría en Comunicación ; (500699)Doctorado en Cine/Video o Artes Fotográficas ; (090101)Doctorado en Comunicación CIP: 500702, 500699, 090101 Experiencia recomendada: En medios masivos. |
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Discipline:Audiovisual Media |
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School:
Undefined
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Academic Department:
Undefined
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Programs: |
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Prerequisites:( H 00821) |
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Equivalences:CO00843 ; AV1002 ; CO95841 |
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Course intention within the general study plan context: |
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Course objective: |
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| The student will know the historical development, the formal elements, the techniques and the production tools of screenplay language to understand it as the structural basis of the audiovisual discourse which is applicable to any medium. | |||||
Teaching and learning tecnique: |
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| Not Specified | |||||
Suggested Bibliography: |
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TEXT BOOKS: * Bordwell, David., El arte cinematográfico / David Bordwell, Kristin Thompson ; traducción édgar Rubén Cosío Martínez., 1a ed. en espan~ol., México, D.F. : McGraw Hill, c2003., spaeng, 9701037863, 9789701037867 * Giannetti, Louis D., Understanding movies / Louis Giannetti., 11th ed., Upper Saddle River, N.J. ; México : Pearson Education, c2008., , 0132336995, 9780132336994 * Martin, Marcel., El Lenguaje del Cine., Editorial Gedisa, 1990, * Mitry, Jean., Estética y Psicología del Cine 1. Las estructuras., Siglo XXI Editores, 1986, * Monaco, James., How to Read a Film., Oxford University Press, 1981, * Bordwell, David, El arte cinematográfico, Editorial Paidós, 1995, BOOKS FOR CONSULTATION: * Field, Syd., El Libro del Guión., Plot Ediciones, 1995, * Malkiewciz, Kris., Film Lighting., Fireside,, 1992, * Lester, Paul Martin., Visual Communication, Images with Messages., Wadsworth Publishing, 1995, * Nelmes, Jill., An Introduction to Film Studies., Routledge, 1996, * Musser, Charles., Before the Nickelodeon., University of California Press, 1991, * Malkiewicz, Kris., Cinematography., Fireside,, 1992, * Ohanian, Thomas A., Digital Non-Linear, Editing. Focal Press., * Rabiger, Michael., Directing Film Techniques & Aesthetics., Focal Press., * Armer, Alan A., Directing Television and Film., Wadsworth Publishing Co.,, 1990, * Dmyryk, Edward., El Cine, Concepto y Práctica., Editorial Limusa, 1995, * Barnouw, Erik., El documental., Editorial Gedisa, 1996, * Sánchez, Rafael C., El Montaje Cinematográfico: Arte de Movimiento., Editorial Pomaire, 1970, * Gross, Lynne S., Electronic Moviemaking., Wadsworth Publishing Co.,, 1994, * Mitry, Jean., Estética y Psicología del Cine 2. Las formas., Siglo XXI Editores, 1986, * Metz, Christian., Film Language. A Semiotics of the Cinema., The University of Chicago Press, 1974, * Singleton, Ralph S., Film Scheduling., Lone Eagle Publishing CO.,, 1984, * Cheshire, David., Manual de Cinematografía. H., Blume Ediciones, 1981, * Dmytryk, Edward., On Film Editing., Focal Press, 1984, * Easty, Edward., On Method Acting., The House of Collectibles, Inc.,, 1981, * Rea, Peter W. & Irving, David K., Producing and Directing the Short Film and Video., Focal Press, 1995, * Vale, Eugene., Técnicas del Guión para Cine y Televisión., Editorial Gedisa,, 1986, * Kracuer, Siegfried., Teoría del Cine., Paidós,, 1960, * Bare, Richard L., The Film Director., Collier Books, 1973, * Hollyn, Norman., The Film Editing Room Handbook., Lone Eagle Publishing Co., * Millerson, Gerarld., The Technique of Lighting for Television and Motion Pictures., Focal Press, 1982, * Giannetti, Louis D., Understanding Movies., Prentice Hall, 1993, * Browne, Steven E., Videotape Editing: a postproduction primer., Focal Press, 1993, * Walker, John A., Visual Culture: an introduction., Manchester University Press, 1997, * J. Dudley, Andrew, The Major Film Theories, Oxford University Press, 1976, |
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Academic credentials required to teach the course: |
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(500702)Master Degree in Fine Arts and (500702)Doctoral Degree in Fine Arts and (500699)Master Degree in Cinematography/Video or Photographic Arts and (090101)Master Degree in Communication and (500699)Doctoral Degree in Cinematography/Video or Photographic Arts and (090101)Doctoral Degree in Communication CIP: 500702, 500699, 090101 |
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