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Disciplina asociada:Medios audiovisuales |
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Escuela:
Humanidades y Educación
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Departamento Académico:
Medios y Cultura Digital
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Programas académicos: |
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Requisitos:No tiene. |
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Equivalencia:No tiene. |
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Intención del curso en el contexto general del plan de estudios: |
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Curso de nivel intermedio en el campo de estudio de los medios audiovisuales, que tiene como intención que el alumno conozca y valore la evolución, las teorías y las ideologías relacionadas a las narrativas documentales. Se incluirá la revisión del trabajo de autores fundamentales entre los que destacan los hermanos Lumiére, Salvador Toscano, Dziga Vertov, Luis Buñuel, John Grierson, Leni Riefenstahl, Frank Capra, Fernando Solanas, Kevin Rafferty, Michael Moore y Juan Carlos Rulfo. Como resultado del aprendizaje se espera que el alumno sea capaz de producir textos y organizadores conceptuales en que se identifiquen las diversas teorías, criterios y contextos que han intervenido en el desarrollo del cine documental a lo largo de su historia. |
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Objetivo general de la Unidad de Formación: |
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| Al finalizar el curso, el alumno será capaz de analizar y comparar las principales corrientes y aproximaciones del género documental, así como de identificar autores y obras principales, de una categoría fundamental de la cinematografía, entendida como manifestación cultural, forma de expresión artística y documento social de indudable valor en la dinámica social de los siglos XX y XXI. | |||||
Técnica didáctica sugerida: |
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| Otra técnica didáctica | |||||
Bibliografía sugerida: |
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LIBROS DE TEXTO: * Barnouw, Erik, 1908-, Documentary : a history of the non-fiction film / Erik Barnouw, 2nd rev. ed., New York : New York : Oxford University Press, 1993., c2003, eng, 0195078985 (rústica : papel no ácido.) * edited by Jonathan Kahana, The documentary film reader : history, theory criticism, New York : Oxford University Press, 2016, spa, 9780199739653 (pbk.) * Nichols, Bill, Introducción al documental, Segunda edición., México : Universidad Nacional Auitónoma de México, 2013, spa, 9786070247996 LIBROS DE CONSULTA: * Nichols, Bill, Representing reality : issues and concepts in documentary, 0253206812 (pbk. : alk. paper) * Winston Brian, Technologies of seeing : photography cinematography and television, 0851706029 (pbk.) * Winston Brian, Lies damn lies and documentaries, 0851707971 (rústica) * edited by Timothy Corrigan, Patricia White with Meta Mazaj, Critical visions in film theory : classic and contemporary readings, eng, 0312446349 * edited by Leo Braudy Marshall Cohen, Film theory and criticism : introductory readings, 7th ed., 0195365623 * Vertov, Dziga, Kino-eye : the writings of Dziga Vertov, engrus, 9780520056305 * edición y prólogo de Ramón Font, Jean-Luc Godard y el grupo Dziga-Vertov : un nuevo cine político, spa, 8433910124 * Sadoul, Georges, El cine de Dziga Vertov, 1 ed., spa, * Petrić Vlada, Constructivism in film : The man with the movie camera : a cinematic analysis, 2nd ed., rev. ed. (con nuevo capitulo IV), spa, 9780521137881 * Roberts, Graham, The man with the movie camera, 9781860643941 * Riefenstahl Leni, Leni Riefenstahl : a memoir, 1st Picador USA ed., eng, 0312119267 * Rouch Jean, Ciné-ethnography, Minneapolis : University of Minnesota Press, 2003, eng, 0816641048 (rústica : papel alcalino) * Ricciardelli, Lucia, American documentary filmmaking in the digital age : [online resource]/ depictions of war in Burns, Moore and Morris, Oxfordshire, England : Routledge, ©2015, eng, 9780415840125 * Doughty, Ruth, Understanding film theory, Second edition., ©2018. : Palgrave, 2018, spa, 9781137528230 (paperback) * edited by Paul Hockings, Principles of visual anthropology, 2nd ed., 3110142287 : PAP |
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Perfil del Profesor: |
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(090101)Maestría en Comunicación ; (090702)Maestría en Comunicación Digital, Medios Digitales/Multimedia ; (090401)Maestría en Periodismo ; (240103)Maestría en Humanidades/Estudios Humanísticos ; (450201)Maestría en Antropología ; (451101)Maestría en Sociología ; (500601)Maestría en Estudios Cinematográficos ; (500602)Maestría en Cinematografía y Producción de Películas/Video ; (540101)Maestría en Historia ; (090101)Doctorado en Comunicación ; (090702)Doctorado en Comunicación Digital, Medios Digitales/Multimedia ; (090401)Doctorado en Periodismo ; (240103)Doctorado en Humanidades/Estudios Humanísticos ; (450201)Doctorado en Antropología ; (451101)Doctorado en Sociología ; (500601)Doctorado en Estudios Cinematográficos ; (500602)Doctorado en Cinematografía y Producción de Películas/Video ; (540101)Doctorado en Historia CIP: 090101, 090702, 090401, 240103, 450201, 451101, 500601, 500602, 540101 Experiencia recomendada: El(la) profesor(a) debe contar con experiencia en la enseñanza de historia del cine documental, sociología del cine, antropología visual, cine etnográfico. |
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Discipline:Audiovisual Media |
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School:
Humanities and Education
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Academic Department:
Digital Media and Culture
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Programs: |
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Prerequisites:None. |
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Equivalences:None. |
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Course intention within the general study plan context: |
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Intermediate course of study in the field of audiovisual media that has the intention that students recognize and appreciate the evolution , the theories and the ideologies related to documentary narrative . It wil be included a review of the work of key authors among which the Lumiere brothers, Salvador Toscano, Dziga Vertov , Luis Buñuel , John Grierson, Leni Riefenstahl , Frank Capra, Fernando Solanas, Kevin Rafferty, Michael Moore and Juan Carlos Rulfo stand out. As a result, by the end of the course it is expected that students will be able to produce texts and conceptual organizers that respond to a series of theories , approaches and contexts that have been intervening in the development of documentary film throughout its history. |
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Course objective: |
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| After completing the course, students will be able to analyze and compare the mainstream approaches of the documentary genre, as well as identifying the major authors and works about a fundamental category of cinematography , understood as a cultural manifestation, an art form and a social document of undoubted value for the social dynamics of the XX and XXI centuries | |||||
Teaching and learning tecniques: |
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| Another teaching technique | |||||
Suggested Bibliography: |
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TEXT BOOKS: * Barnouw, Erik, 1908-, Documentary : a history of the non-fiction film / Erik Barnouw, 2nd rev. ed., New York : New York : Oxford University Press, 1993., c2003, eng, 0195078985 (rústica : papel no ácido.) * edited by Jonathan Kahana, The documentary film reader : history, theory criticism, New York : Oxford University Press, 2016, spa, 9780199739653 (pbk.) * Nichols, Bill, Introducción al documental, Segunda edición., México : Universidad Nacional Auitónoma de México, 2013, spa, 9786070247996 BOOKS FOR CONSULTATION: * Nichols, Bill, Representing reality : issues and concepts in documentary, 0253206812 (pbk. : alk. paper) * Winston Brian, Technologies of seeing : photography cinematography and television, 0851706029 (pbk.) * Winston Brian, Lies damn lies and documentaries, 0851707971 (rústica) * edited by Timothy Corrigan, Patricia White with Meta Mazaj, Critical visions in film theory : classic and contemporary readings, eng, 0312446349 * edited by Leo Braudy Marshall Cohen, Film theory and criticism : introductory readings, 7th ed., 0195365623 * Vertov, Dziga, Kino-eye : the writings of Dziga Vertov, engrus, 9780520056305 * edición y prólogo de Ramón Font, Jean-Luc Godard y el grupo Dziga-Vertov : un nuevo cine político, spa, 8433910124 * Sadoul, Georges, El cine de Dziga Vertov, 1 ed., spa, * Petrić Vlada, Constructivism in film : The man with the movie camera : a cinematic analysis, 2nd ed., rev. ed. (con nuevo capitulo IV), spa, 9780521137881 * Roberts, Graham, The man with the movie camera, 9781860643941 * Riefenstahl Leni, Leni Riefenstahl : a memoir, 1st Picador USA ed., eng, 0312119267 * Rouch Jean, Ciné-ethnography, Minneapolis : University of Minnesota Press, 2003, eng, 0816641048 (rústica : papel alcalino) * Ricciardelli, Lucia, American documentary filmmaking in the digital age : [online resource]/ depictions of war in Burns, Moore and Morris, Oxfordshire, England : Routledge, ©2015, eng, 9780415840125 * Doughty, Ruth, Understanding film theory, Second edition., ©2018. : Palgrave, 2018, spa, 9781137528230 (paperback) * edited by Paul Hockings, Principles of visual anthropology, 2nd ed., 3110142287 : PAP |
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Academic credentials required to teach the course: |
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(090101)Master Degree in Communication ; (090702)Master Degree in Digital Communication and Media/Multimedia ; (090401)Master Degree in Journalism ; (240103)Master Degree in Humanities/ Humanistic Studies ; (450201)Master Degree in Anthropology ; (451101)Master Degree in Sociology ; (500601)Master Degree in Film/Cinema Studies ; (500602)Master Degree in Cinematography and Film/Video Production ; (540101)Master Degree in History ; (090101)Doctoral Degree in Communication ; (090702)Doctoral Degree in Digital Communication and Media/Multimedia ; (090401)Doctoral Degree in Journalism ; (240103)Doctoral Degree in Humanities/ Humanistic Studies ; (450201)Doctoral Degree in Anthropology ; (451101)Doctoral Degree in Sociology ; (500601)Doctoral Degree in Film/Cinema Studies ; (500602)Doctoral Degree in Cinematography and Film/Video Production ; (540101)Doctoral Degree in History CIP: 090101, 090702, 090401, 240103, 450201, 451101, 500601, 500602, 540101 Recommended Experience: The instructor must have experience teaching of documentary film history, sociology of film, visual anthropology, ethnographic film. |
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